Valentina Moar is invited as curator of Dance on Screen to take part of SCREENDANCE LANDSCAPES – due giorni su danza e schermo organized by VeNe (IT) and future mellon (UK), in Venice at IUAV (University of architecture and visual art) on 17th April 2018.
The event consists of two days of symposium, roundtable and screenings.
Dance on Screen is invited in Switzerland: the artistic director of Teatro San Materno, Tiziana Arnaboldi, invited Valentina Moar for one day screening.
Dance on Screen presents 9 films from its 2017 edition in this the beautiful original Bauhaus style cosy theater on Sonntag 26th November 2017.
Dance on Screen is invited to the 21. Internationales Solo-Tanz-Theater Festival in Stuttgart.
Valentina Moar, artistic director of Dance on Screen, presents 7 films from the second edition of and one film from the first edition of Dance on Screen: Continue Reading →
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„Which is the criterion to vote for a ‚best film‘, when there are no other specific branches?…
My only question to think about it is: which is a ‚better‘ film? The one that is perfectly technically made, where all the parts that compose the film are in the best symbiosis? Or the one that has maybe mistakes, that is not really ‚proper‘, but that you remember its images for a very long time?…“
(Valentina Moar, artistic director of DanceOnScreen)
The jury of the first Dance on Screen Award has been represented by the choreographer, dancer and ballet master Sarah Taylor (AUS), by the film-director Giuseppe Domingo Romano (IT) and by the dancer, choreographer and regisseur Hallgrim Hansegård (NOR).
DANCE ON SCREEN AWARD 2017 goes to:
SUR TON DOS by Justine Berthillot&Frédéri Vernier – FR
photo: Philippe Ariagno
DANCE ON SCREEN – SPECIAL MENTION goes to:
JUANA AND THE SACRED SHORES by Antonne Santiago – PHL
The „Dance on Screen Award“ for the „best film“ is been sponsored by the production house EXCEPT from Milano.[:en]
„Which is the criterion to vote for a ‚best film‘, when there are no other specific branches?…
My only question to think about it is: which is a ‚better‘ film? The one that is perfectly technically made, where all the parts that compose the film are in the best symbiosis? Or the one that has maybe mistakes, that is not really ‚proper‘, but that you remember its images for a very long time?…“
(Valentina Moar, artistic director of DanceOnScreen)
The jury of the first Dance on Screen Award has been represented by the choreographer, dancer and ballet master Sarah Taylor (AUS), by the film-director Giuseppe Domingo Romano (IT) and by the dancer, choreographer and regisseur Hallgrim Hansegård (NOR).
DANCE ON SCREEN AWARD 2017 goes to:
SUR TON DOS by Justine Berthillot&Frédéri Vernier – FR
photo: Philippe Ariagno
DANCE ON SCREEN – SPECIAL MENTION goes to:
JUANA AND THE SACRED SHORES by Antonne Santiago – PHL
The „Dance on Screen Award“ for the „best film“ is been sponsored by the production house EXCEPT from Milano.[:it]
„Which is the criterion to vote for a ‚best film‘, when there are no other specific branches?…
My only question to think about it is: which is a ‚better‘ film? The one that is perfectly technically made, where all the parts that compose the film are in the best symbiosis? Or the one that has maybe mistakes, that is not really ‚proper‘, but that you remember its images for a very long time?…“
(Valentina Moar, artistic director of DanceOnScreen)
The jury of the first Dance on Screen Award has been represented by the choreographer, dancer and ballet master Sarah Taylor (AUS), by the film-director Giuseppe Domingo Romano (IT) and by the dancer, choreographer and regisseur Hallgrim Hansegård (NOR).
DANCE ON SCREEN AWARD 2017 goes to:
SUR TON DOS by Justine Berthillot&Frédéri Vernier – FR
photo: Philippe Ariagno
DANCE ON SCREEN – SPECIAL MENTION goes to:
JUANA AND THE SACRED SHORES by Antonne Santiago – PHL
The „Dance on Screen Award“ for the „best film“ is been sponsored by the production house EXCEPT from Milano.[:]
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In vielen großen und größeren Städten weltweit ist die intermediale Kunstform Screendance, die es seit den 60er-Jahren gibt, heute erfolgreich vertreten. Die in Graz lebende Tänzerin-Choreografin Valentina Moar hat hier für dieses aufstrebende, universelle Ausdrucksmittel und diese spartenübergreifende visuelle Kunst eine Plattform geschaffen. Continue Reading →
DANCE ON SCREEN FESTIVAL
Rechbauerkino Graz, Austria
Artistic Direction: Valentina Moar
FIRST EVENING PROGRAM: Saturday 28th January 2017
Graphics: Luca Morganti – Photo: Philippe Ariagno
DANCE ON SCREEN in its second edition presents dance short-films made by artists from all over the world, that highlight the immediacy of the dance and the movement through the intimacy of the eye’s camera.
Through an international call, the festival selected 17 films from artists coming from 12 different countries and 4 continents: Italy, Norway, Austria, Greece, France, Belgium, Great Britain, Holland, Brazil, Mexico, Usa, Philippines.
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Artistic direction, production, programming: Valentina Moar
Production assistent: Marco Schretter
Technical assistent: Ypatios Grigoriadis
Jury:
Sarah Taylor (AUS)
Giuseppe Domingo Romano (IT)
Graphics: Luca Morganti
[:en]
Artistic direction, production, programming: Valentina Moar
Production assistent: Marco Schretter
Technical assistent: Ypatios Grigoriadis
Jury:
Sarah Taylor (AUS)
Giuseppe Domingo Romano (IT)
Graphics: Luca Morganti
[:it]
Artistic direction, production, programming: Valentina Moar
Production assistent: Marco Schretter
Technical assistent: Ypatios Grigoriadis
Jury:
Sarah Taylor (AUS)
Giuseppe Domingo Romano (IT)
Graphics: Luca Morganti
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Dance on Screen Festival second edition will take place on 28th and 29th January 2017 at Filmzentrum Rechbauerkino in Graz, Austria
foto: Hal Eastman
DANCE ON SCREEN FESTIVAL
Mensch und Landschaft im Tanz
8th + 10th January 2016
Rechbauerkino Graz, Austria
Artistic Direction: Valentina Moar
